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BIODIVERSITY SURVEY OF CATHERINE HARDWICKE’S TWILIGHT (2008)
“Looking closely at the meadow scene, you may notice: the distinctly invasive characteristic of the grasses, the uncanny resemblance between each purple wildflower or: a tongue bitten so voraciously that skin threatens to break.”
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Horse Girl
“Horse girl ain’t like the equestrian girls. All them love horses, but the equestrian girls are still girls, even when they stand in a herd swishing their ponytails.”
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Over Yonder
Jason Caballero is a Mexican-American aspiring artist based in Northwest Houston, Texas. He works offshore on an oil and gas facility for weeks at a time to provide for his wife and daughter. During his time off, he dedicates every spare moment to creating art that inspires meaningful reflection and connection.
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Sure, I keep a dream journal
“Each year, the snouting verve of magnolia buds. Always again the gnashing glory of forsythia, the whipping starlight. Again, the daffodils, those houndful miracles.”
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You
Nick Matsas is a published author and plumber. His work can be found in 3Elemental Review, Aquarium Drunkard, and Discretionary Love. His plumbing can be found in hospitals, assisted living facilities, and convention centers. He was born in Chicago and lives in Los Angeles.
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how to get gone when you’re in love
“The tomato pulp of me pressed against the inside of her cheek and swallowed whole. The end, popped open like the sound of parting lips. Like death.”
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Death of Dreams
Monica Funk is a mixed-media collage artist based in Eudora, Kansas. She draws on her education and experiences in these ecologically and socially unprecedented times to contemplate, critique, joke, and acknowledge where we’ve been and where we’re headed.
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Female Rage
Kyndel Whiteford is a multidisciplinary artist from New Jersey. She commonly uses self portraiture and still life scenes to discuss themes of gender, attraction, and consumption. She is currently working to earn her BFA in photography at Massachusetts College of Art & Design in Boston, MA.
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There Are Coyotes in Graceland
“The cut is wide across her palm. A butcher’s kiss. The guilty knife lies at the bottom of the sink. A chef’s knife. There is nothing on the counter it could have been cutting.”